My first thought was to research the Free People of Color in New Orleans in the 18th and 19th centuries. I'm totally fascinated by the fact that there were African-American doctors, teachers, and business owners in New Orleans living in such close proximity to (and often owning) slaves. how did that happen? How did it change after the Civil War? What rights did Free People of Color lose or retain during and after Reconstruction?
Then I started thinking about my interest in New Orleans and Louisiana in general. I think that state, and especially that city, are totally unlike any other place in the US. The port of New Orleans means that the city is as multicultural as a place can get, in a deeply rooted, so-far-back-I-can-hardly-remember, cuisine and music producing way. Louisiana is, in spite of this seemingly diverse cultural center, a hotbed of American racism. I mean this is some severe and damaging racism (not that all racism isn't, but I think you get my drift). Horrid, nasty, far reaching racism.
Then I thought about Angola Prison.
This is the art project that started my interest. |
So, Ms. Ortega and I started googling.
the rodeo |
Angola has a golf course and tourist center.
Angola is known as the bloodiest prison in America, and federal courts have called its treatment of prisoners "cruel and unusual".
Angola is bigger than the island of Manhattan.
looks like something from the early 1800s, doesn't it? |
I could go on all day, and I'm going to go on ALL YEAR. I am giddy. My curiosity is through the dang roof.
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